Rene Lalique: Art Nouveau, Importance And Naturalism

Whilst Rene Jules Lalique's childhood years seem to be shrouded in somewhat of a mystery, it is known that he was born to Jules and Olype Berthellemy Lalique on the 6th April 1860. For the first 2 years of his life the family lived in Ay, in the Champagne area of France, http://edition.cnn.com/search/?text=Artist about a hundred miles to the northeast of Paris.

By 1862 the household had moved to Paris where his father worked as a merchant dealing in novelties. Throughout his childhood years, Rene and his household made frequent return sees to their rural roots to see household and friends.

He began his education at Turgot Lycee near the Parisian suburban area of Vincennes, where he studied art and was awarded first prize in a illustration competition throughout his time there.

At the age of sixteen, shortly after his daddy's death, Rene, in all probability, guided by his mother, embarked upon his apprenticeship with Louis Aucoc, among the leading Parisian jewelers of the day. His time there was spent assisting Louis in the production of the then popular Rococo styled jewelry and learning the tools, materials and strategies of his trade. He likewise took night classes at the regional school of decorative arts.

Having completed his training, in 1878, Rene relocated to the London suburb of Sydenham where he studied at The Crystal Palace School of Art, Science and Literature for a couple of years. During his stay in England, Lalique invested much of his spare time at London's museums; he liked them.

By 1880, Rene had returned home to Paris and took up Kurt Criter training as a carver in his spare time whilst working as a wallpaper and material designer through the day.

A year later, he had actually settled into working as a professional fashion jewelry designer for Kurt Criter Denver Jules Destape, this would be his career for the next twenty years. In addition to holding down a full-time job he also handled freelance work for a few of the bigger Parisian precious jewelry homes.

By 1885, Rene was working for himself. Destape retired and ownership of his service was transferred to Lalique. Now, with a fully staffed workshop and free from the constraints of working for somebody else, he could fully focus on his own Art Nouveau styles. Which, included greatly in the French jewelry trade magazine "Le Bijou" and were consulted with much adoration and imitation from his rivals. Lalique's "magic" remained in the method he stayed away from the usual expensive gems-stones and precious metals , instead, focusing more on more affordable materials such as: translucent enamels, semi-precious stones and ivory etc

. By 1900, Lalique had reached the pinnacle of his jewelry career. He showed at the Exposition Universelle Internationale in Paris and won international appreciation for the way that he intertwined importance and naturalism. However, disappointed by the way that his work was continuously being copied, Rene's attention began to drift away from his precious jewelry "art kinds" and towards glassmaking.


By 1909, Rene had actually started making fragrance bottles for Coty. Lalique drew upon his experience and produced bottles that stimulated the nature of the perfume that they consisted of.

Within a few years, his glassmaking talents had broadened to consist of: statuettes, vases, tableware, bowls and, amongst other things, architectural panels. These panels could be found aboard the greatest ocean liners of the day and embellishing the dining car of The Orient Express.

It didn't stop there. His glass mascots could be discovered adorning the hood of a number of the more glamorous automobiles of the Roaring Twenties. These are the most sought after antiques today.

The Lalique factory closed in 1939 throughout of The second world war. Rene passed away on the Fifth May 1945 and never ever saw its reopening.

Throughout his childhood years, Rene and his household made frequent return check outs to their rural roots to see family and good friends. At the age of sixteen, soon after his dad's death, Rene, in all likelihood, steered by his mother, embarked upon his apprenticeship with Louis Aucoc, one of the leading Parisian jewelry experts of the day. By 1885, Rene was working for himself. Dismayed by the way that his work was constantly being copied, Rene's attention began to wander away from his fashion jewelry "art forms" and toward glassmaking.

By 1909, Rene had actually started making perfume bottles for Coty.

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